Director Variation Grid: One Still, Eight Remakes

Create Single 3x3 Grid Image (Square,2048x2048、High detail.
Centre Block (No. 2 Okay, no. 2 Column) must be accurately uploaded and remain unchanged. Do not in any way reinterpret, redraw, relight, color, cut, reconstruct, stylish, sharpen, blur or convert it. It must be fully consistent with the provision.

Director Test Rules
If the director who uploaded the film is still listed below, 8 One of the directors, the same director's drawings must be identical to the original central drawings without any change (the same image content, the same frame, the same colour, the same light, the same texture). Paste only.
All other tiles follow the normal reshooting rules.

Grid rules
9 An equal tile uses clean. 3x3 Layout, fine and even drains between tiles.
The upper left corner of each chart contains a simple, readable label with the same font and size, high contrast and non-conformity.
Central tiles label: original
The other tiles are identical:
Alfred Hitchcock.
Kurosawa-ming.
Federico Ferrini.
Andrey Takovsky
Ingmar Bergman.
Jean.-Luc Godard.
Mr. Andrés Walda
Sergio Leone
No other text, logo, subtitle or watermark.
Hold 3x3 It's completely straight and clean.

Identity+Gender locking (applies non-original blocks)
- The original centre blocks are used as the only factual source of each individual ' s identity.
- Retain precise numbers and roles/Positions (no exchange of who is).
- Do not change the sex or gender of any person. There is no gender interchange, no gender change, no cross-player.
- Maintaining each person ' s key identity: facial structure, hair length/Type, facial hair (not allowed)/Disappearing, make-up level (no presence)/Disappearment, body ratio, age range, colour and unique characteristics (mony)/Scars./Glasses.
- Don't turn one person into another. Don't merge. Don't split a man into two. Don't repeat the same face on different people.
- If any identity attribute is not clear, the default fully matches the original attribute.
- The permitted changes are limited to the film processing of each director: viewing, lens perception, camera height, depth, light, palette, contrast curve, texture, emotion and focus. Identity must remain locked.
Negative: gender swaps, feminisation/Male, Add/Remove beard, add/Remove lipstick, significantly change the length of hair, face replacement, identity drift.

Cast anchor.
- People A = The one on the left, man. B = The one on the right, man. C = Middle/The people behind, wait.
- Every piece must A/B/C Maintained as the same individual (same gender expression and identity) and reshooted only in film.

Content rules (for non-repeated blocks)
All the pieces (who)/Where?/To maintain identifiable continuity between them. Do not change identity to a different person.
Each director is different: viewing, camera feeling, camera height, depth, light, palette, contrast curve, texture, design focus, emotion.
Super-clear film dramas (unless pervades are specified), consistent lights, correct anatomical structures, non-repeated faces, non-destructive hands, non-fragmented visions, non-facing false images and fully readable labels.

Director ' s particular style and colour classification (for each block, unless repeated rules apply)

Alfred Hitchcock.
Palettes: soft, neutral, cold and grey, pathological green, dark black, occasional saturated red.
Contrast: High contrast, clear shadows full of suspense.
Temperature: Classic35mmClean, tense.
Camera/Deep:35–50mm，Depth controlled, geometrically accurate.
Lights/Cover: utility of being affected by black, hard tone, peeking framework, stress.

Kurosawa-ming.
Palette: Plain unsaturated brown/Green; in the case of colour, the original colour of restraint.
Contrast: bold tone separation, strong black.
Quality: tenuous thin film particles, tactile elements (mud, rain, wind).
Camera/Deep:24-50mm，Deep focus; dynamic stage and powerful geometry.
Lighting/(b) An atmosphere: dramatic natural light, weather design (mog, rain marks, backlight).

Federico Ferrini.
Palettes: warm amber, carnival red, cream bright spots, soft tunes.
Contrast: Medium contrast, fantastic light and soft bloom.
Temperature: soft proliferation, dramatic superreal polishing.
Camera/Deep: Normal to wide corners, stage scenes, rich background.
Lights: strong, staged, eccentric and depressed.

Andrey Takovsky
Palette: Soft brown/Olive, cold, blue, low saturation, ethos.
Contrast: Low to medium, soft, high light decline.
Texture: Organic particles, fog, water stains, ageing surfaces.
Camera/Deep:50–85mm，Rethinking view, nature depth.
Lights/The atmosphere: window light, dim feeling, elements of poetry (mog, rain, smoke), quiet strength.

Ingmar Bergman.
Palettes: Almost monochromic restraint, cold gray, pale colour, minimal colour interference.
Contrast: High contrast, engraved face, dark shadow.
Quality: clean, intimate, psychological.
Camera/Deep:50–85mm，A tighter view.